Pulp fiction who is the gimp




















The next morning, Butch heads to his apartment to fetch a watch; while there, he kills Vincent John Travolta and hits Marsellus with the car. A limping chase on foot leads them both into a pawnshop, where Butch punches out Marsellus and the proprietor, Maynard, concusses Butch.

Maynard is joined by his cousin, Zed, and their leather-clad servant, the Gimp; Zed decides that they will rape Marsellus first. Once they take Marsellus into the adjoining room, Butch knocks out the Gimp with a single punch, and heads upstairs to freedom. How did I get into Deliverance? He turns back to help Marsellus, the man who just tried to kill him, but first he needs to find a weapon. He wordlessly grabs a claw hammer, then upgrades to a baseball bat, followed by a chainsaw.

Check it out here , starting around Then Butch spots the appropriate weapon of honor and vengeance: a samurai sword.

The track he actually planned to use? Today's Top Stories. Every 'Bond' Film Ever, Ranked. Leaving Afghanistan Behind. Related Story. This content is imported from YouTube. You may be able to find the same content in another format, or you may be able to find more information, at their web site.

I had a T-shirt underneath it, and that was it. Oh, they did pad me up a little bit, too. Quentin wanted me to be a little flabbier, so I also wore a fat-suit tummy as well. And I wore underwear. And it was pretty warm. A lot of the interiors were in a warehouse in Culver City, and it was a tiny set. Because of the rape sequence, there were very few people on the set that day. And it was very dark and hot. We knew it was a crazy, creepy scene. With the heat and the leather, there must have been some chafing.

Oh, yeah! Whoever makes those outfits, mission accomplished! The other actors in the scene were very aware of it. Do you remember who said that? It was Bruce Willis!

I have a very vivid memory of him saying that. We got a poor guy in a head-to-toe leather outfit here. Bruce Willis was a lovely guy. And because everyone was kind of on equal footing on that movie, in terms of pay, it was an ensemble piece. I think his assistant was making everyone gin-and-tonics — apparently one of the requirements of the job! You probably could have used one before the day started, or during the breaks.

For a little liquid courage, yeah! Maybe you do in one or two shots. So I sort of stayed in character, but quiet and still, in between takes. The Gimp seems to live in a little box. Apparently, there was some weird history before the Gimp. Before I make my entrance, I was crouched up in there for about five minutes while the dialogue goes on, before I come out on a leash to where the prisoners are being held. That went away a long time ago.

Not just all sense of self-worth, but all sense of self. Do you remember any direction Quentin gave you? He gave me very little, actually. And he darts around the room a bit. Which I think is a really cool thing to do. Just talk to the person and have a private conversation. If you had talked, would we have been able to discern what you were saying? Probably not. I made noises with my tongue flat against the bottom of my mouth, so there was a sense of there being no tongue movement to help formulate words or sounds.

I decided to do a weird dance and act all creepy towards Bruce Willis, and Quentin liked those things.



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